People
interpret file sharing differently, but there is something that doesn’t change
no matter in what side of the fence you are. It is always about money.
Opposing
views in the industry about file sharing is mainly between software developers
and the controversy about open source vs. proprietary software or established
artists that already make their millions and they want more, and new emerging
artists that just want to get there, and don´t have the opportunity of working
with a big industry label such as Sony Music Entertainment, Universal Music
Group, Warner Music Group or EMI.
For example
when you graduate from University and you start applying for jobs is really
common to find something that say “3-4 year experience”. So yes they don´t hire
you because you don´t have the experience, but how you can you get that
experience if you don´t get the job? Good question, maybe working as a
volunteer? Maybe as a placement or internship were they will not pay you?
Something
similar happen with new bands, they want people to listen to their music and
without a label that can produce their CD´S they just record their songs in a
local studio or maybe their own garage, with their own money for later
uploading it on the net for file sharing, YouTube, social networking, going
viral with their own production for people to listen for free. They don´t get
the money but they get the experience, people will listen to them and their
music can get to any part of the world easily.
File-sharing
isn’t something that can just be stopped, even if the big labels do something
to shut down file sharing and p2p, there is always a way to go around it.
Before p2p and when email had reduced space, people use virtual drive accounts
like x-drive, upload music and give the username and password for people to
login and download, other ways was sending mp3 thru messenger, or creating your
own FTP server with www file sharing pro, using email when the space was a
little more generous, and many other ways.
Because of this, big record and
producer labels should adapt to the new way of distribution and start using it
as the new bands, just like marketing. You can always make millions with
merchandising, concerts, tours and of course with the fans that will always buy
a collection CD. Another way to adapt
could be, creating a new way of music recording sales certification maybe a
“Shared Music certification” , what band have more likes or downloads?
Can you
imagine how many good bands didn’t make it all the way just because nobody
knows about them? Nobody listen to them because files haring, internet, mp3
didn’t exist?
Reference
Martin, B,
Moore, C & Salter, C, 2010, 'Sharing music files: tactics of a challenge to
the industry', First Monday, vol. 15, no. 12.